The story I chose to look for this week’s assignment is “The Story of an Hour”, by Kate Chopin, originally written in 1894, which I found on pages 83-86 of Penguin’s Fiction: A Pocket Anthology.
There
has been a railway accident and Brently Mallard has been reportedly killed. His
repressed wife Louise is predictably hysterical at first, but then goes
upstairs to grieve by herself. Instead of truly grieving she thinks about the
future, thrilled that the shackles of marriage no longer bind her. Brently
walks in from the office, he was far away from the scene of the accident. In
dismay and shock, Louise dies of a heart attack.
While
I feel sorry for Chopin’s life, the struggle she endured to get published and
raise her children at the same time, I don’t particularly care for Chopin’s
writing, as I find her characters too feministic, violently angry and
incredibly selfish. And the poetical abstractions sprinkled heavily throughout
her prose are hard to follow. However, I do really like the sentence
“…Josephine told her, in broken sentences, veiled hints that revealed in half
concealing.” That says a lot about how language actually works, both in life
and literature.
The
theme seems to be about freedom; how monstrous it can be by itself.
Relationships bring restraints by necessity in order to function; and as humans
we must have relationships in order to survive. Brently’s presumed death left
Louise on her own, which was exhilarating and allowed her to fly like Icarus.
The joy was too much.
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