I’m thrilled that it’s time for
short stories; grateful that I’ve learned a lot about poetry, but ready to dive
into something I’m more familiar with. The ones I’ve previously written tend to
sprawl out a little farther than is typical publishing distance, so hopefully
while studying what Mooring Against the
Tide says I’ll learn to be more efficient with the amount of words used
while still getting all the relevant points of the story covered. I am a little
disappointed that only one story will be required, but we’re just learning
about the process of creative writing here, so I understand why. Besides,
writing fiction is hard enough as it is, and especially while school is in full
swing.
I’m
fairly familiar with short stories, but since they can be hard to find on
library shelves, mostly they’re told nowadays over the radio airwaves:
singer/songwriters whose work I especially enjoy could include Brad
Paisley(“Letter To Me”, “Part II”, “Waitin’ On a Woman”), Kenny Chesney(“Don’t
Blink”, “There Goes My Life”, “The Boys of Fall”), Garth Brooks(“Unanswered
Prayers”, “Beaches of Cheyenne”, “Ireland”), Taylor Swift(“The Story of Us”,
“Mean”, “Never Grow Up”, “Long Live”) and Miranda Lambert(“New Strings”, “The
House That Built Me”, “Over You”). And others like Keith Urban, Jon Bon Jovi,
Avril Lavigne and Bryan Adams. I could really go on practically forever, but
who would want to read that?
So
back to the more traditional printed form of short stories, I really love the
descriptions and style of O. Henry; the way he could paint either the concrete
jungle of New York City or the Texas prairies to where we’d know the locals and
the important landmarks. And his endings are amazing. I know it sounds cliché
to say that “The Gift of the Magi” is my favorite, but it’s so wonderful. Who can’t relate to the cash-strapped but
affectionate pair of Jim and Della Young? You hope to be able to love someone
like that someday. Only William Sydney Porter could take the plot of “A
Retrieved Reformation” and make it believable. First, that a career criminal
like Jimmy Valentine could move to a small Arkansas town and become a leading
citizen as a shoemaker. Second, that when Ben Price the detective tracks him
down; that he would leave Jimmy alone. And third, that the reader would be okay
with Ben’s decision. In “The Last Leaf”, you feel the desperation in the lives of
Sue, Johnsy and Behrman, and the magnitude of Behrman’s masterpiece,
understanding what it cost to paint. “After Twenty Years” is painfully honest
about faded friendships and divergent life pathways while emphasizing the value
of loyalty and keeping one’s word.
Along
those same O. Henry-like lines, another favorite is “The Man Upstairs” by P.G.
Wodehouse. The look at the behind-the-scenes life of those in the creative
fields is part of what makes it great, as well as the playful phrasing and
frequent cat mentions. “The Worst Christmas Story”, by Christopher Morley, is
similar in tone with a painfully realistic but appropriate ending, surprising
in its obvious-ness.
Another
nontraditional outlet for short stories is those told through comic strips. For
being considered so lighthearted and happy, Charles Schulz’s Peanuts dives quite deeply into
depression, loneliness, alienation and the trials of being in love. It also
showcases unbounded joy in Snoopy’s suppertime dances, the irrational yet vital
Gatsby-like hope Charlie Brown has that he can be a baseball hero someday, the
importance of loyalty in his pals sticking around the team while they know
they’ll be slaughtered, and Charlie Brown’s persistence in getting that kite to
finally fly correctly or kicking Lucy’s football this time, surely. We also get the wisdom (and sometimes
spacey-ness) of Linus, and Lucy means well most of the time, even if her
methods of bossing everyone around can be hard to deal with. Snoopy is
amazingly imaginative; aren’t we all part beagle, vulture, Olympian or a WWI
fighter ace? Sometimes, at least? Schroeder’s dedication to his music is
another virtue we can learn from. Bill Watterson’s Calvin and Hobbes gives us really great insights into the life we
live, and what the things we take for granted in society say about us. (TV,
junk mail and the boundaries of art are the first examples that spring to
mind.) Snoopy has the only imagination that comes close to Calvin’s – we
frequently see long, intricately-detailed space explorations or bizarre
situations(T-rexes flying F-15’s, deer hunting humans, snowmen committing
suicide) in his daydreams or free time. He also has a Linus-like quality of
getting right to the real points of life adults like to gloss over. Hobbes is
the much-needed voice of reason to counter Calvin’s exuberance, but that
doesn’t mean he’s without his endearing flaws; that kill instinct in football,
exalting tigers above humans, or napping when there’s work to be done.
Ernest
Hemingway’s “Hills Like White Elephants” is brilliant in its subtlety; as well
as near-perfection in capturing dialogue and journalistically telling exactly
what happened on several levels. Willa Cather’s work “The Enchanted Bluff”
illustrates the power and fragility of dreams and friendships. Dorothy Canfield
Fisher’s “In Memory of L.H.W.” shows us how to persevere through adversity and
just do the best you can. This theme of perseverance is continued in Hans
Christian Andersen’s story “The Steadfast Tin Soldier”, and the death of “The
Little Match Girl” tears your heart out, but we would be much poorer without
that experience. I’ve always loved the dialogue and the characters in “The
Hiltons’ Holiday”, written by Sarah Orne Jewett.
Of Agatha Christie’s short stories, one of her best(in my
opinion) was “Philomel Cottage”, proving that while she may have failed when
trying to write suspense-thriller novels, she still was quite good at building
tension in shorter form. “Three Blind Mice” and “Witness For the Prosecution”
both have been overshadowed by the play and film, respectively, but are other
examples of good Christie short fiction.
Another
format short stories exist in, which is quite likely their most powerful form,
is children’s picture books. Cynthia Rylant has a way of telling what happened
with childlike straightforwardness, which I appreciate, especially in her story
“Retired”. In that same vein, Laurie Keller’s picture books Open Wide and The Scrambled States of America teach basic oral care and geography
in easy-to-remember terms. Munro Leaf’s The
Story of Ferdinand is another that has always been a favorite; Ferdinand is
just…different. Aren’t we all in some way? It’s not necessarily bad that he
sees fighting as dangerous and uninteresting; and though smelling flowers under
his favorite cork tree is an odd way to spend one’s time, he was happy and it
didn’t bother anyone else, so…just let him be. Similar to Ferdinand is The Crippled Lamb in Max Lucado’s book.
Joshua is lame and lonely because of that, but for that same reason, he gets to
be the lamb in the manger when Jesus was born. What a privilege. The Giving Tree in Shel Silverstein’s
book shows us what sacrificial love looks like.
This
is probably longer than expected, but the directions said not to hold back. If
I would have truly not held back, this assignment would likely be 50,000 words
and climbing…anyway, I love literature, in whatever form I may find it in. And
so these are some of my favorites.
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